Value in Colors - It's all Relative

At our May 16th meeting, we had an eye-opening exercise in which two teams tried to organize a couple of dozen fabrics according to value. What it taught us is that value is not always an absolute - it can depend on the light in the room, sometimes the scale of a pattern, perhaps the fabric with which you choose to compare it, and often the person who views the fabric. Even so, the two teams organized their fabrics fairly similarly.
















We were also shown how value can change by changing the density of a thread, a shown below. These were all done on a sewing machine with a single thread.

One of our Fearless Leaders of the program, Veronica, also put together 11 quilt blocks of the same pattern but with fabrics of different values, showing how they look completely different using different values, and how holding them beside each other also gives a different result in how the block appears.

As a side note, she was wearing a fabulous lime green vest that she knitted as part of the knitting class she teaches.
Last but not least, Julie, who is new to the guild, created a beautiful wall quilt that perfectly exemplifies the importance of value in making an appealing quilt.

Identifying Value in Color—bring your sunglasses

Dark to light
gradations in Value

In quilting, value—the lightness or darkness of a color—is often more critical to the success of a quilt's design than color. A prime example of this is a scrap quilt. When the pattern or design of a scrap quilt makes you stand back and say "Wow!" you know it's the choice and placement of value at work.

The program for the Choo Choo Quilters May 16 guild meeting is "Identifying Value in Color." You can read Chapter 4 in the "Fearless Design for Every Quilter" book and prepare the following for the meeting:

• Choose 1 light fabric, 1 medium fabric and 1 dark fabric.
• From each fabric, cut four 4” x 5” rectangles.
• Pin the rectangles together into 6 pairs, keeping the same fabrics together.
• Make two stacks with a light, a medium, and a dark pair in each (two stacks with 6 fabric pieces in each). Bring these fabric stacks to the meeting.
• Bring a value finder, reducing glass, peep hole (if you have one) or your sunglasses to the meeting.

The meeting starts at 6:30 pm. Refreshments are available and visitors are welcome to attend.

A variety in scale makes interesting quilts

Small, medium and large scale prints.

Have you been through your fabric stash lately? Look to the back of the closet, the bottom of the storage tubs, or in that box that's shoved in the back corner of your sewing room. Do you have some small-print calicoes of days past? Does your scrap basket go that deep??

At the April Choo Choo Quilters guild meeting, "Scale and Variety" was the program topic. "Whether you are making traditional, contemporary or art quilts," said presenter and quilt historian, Vista Mahan, "a variety in scale of fabric prints will make your quilts more interesting." Examples of actual fabrics from Ms. Mahan's stash illustrated small, medium and large prints, regular vs. random prints, dense vs. open, and various forms and varieties of dots, checks and plaids.

In the 1970s and 80s, variety was achieved primarily by choosing a different colorway—dusty pink or country blue—of the same print fabric. Today, cottons as well as batiks offer a wide variety of small, medium, large and jumbo size motifs, random and regular patterns, geometric and stylized designs, organic and abstract patterns, florals, animal motifs, reproduction and novelty prints in myriad colors and value.

Example of the Scale exercise.

Scale also pertains to the relative size of the blocks and borders in a quilt or the pieces in an individual quilt block. In an exercise to illustrate the importance of variety in scale, guild members created a 6-patch layout and then modified it with additional pieces to make it more visually interesting. The variations are unlimited.

So, if you uncovered an abundance of small-scale calicoes in the deep recesses of your stash, you are officially granted permission to purchase additional fabrics with variety in scale to 'round out' your collection. Variety in print, scale, value and color will take your quilts from dull and flat to interesting and fabulous!

 

 

 

Vista also worked examples from her antique and vintage quilt collection into the presentation. It was interesting to see how quilters from previous generations incorporated the design principles into their work.

Vista Mahan (left) displays a vintage quilt top from her collection during her presentation on Scale.

 

 

 Show and Tell

Examples of the Texture Exercise from the March program.

 

 

 

Tote bag for a rotary mat (left).
Wall hanging using a woven fabric technique (right).

Japanese kimono fabrics (left).
Half-square triangle block swap (right). That's another way to achieve variety in your fabric collection.