Showing posts with label curved piecing. Show all posts
Showing posts with label curved piecing. Show all posts

Thursday, December 26, 2019

2019 Guild Challenge: highest response ever!

The Choo Choo Quilters annual Guild Challenge is always a popular event for our guild. Participation has increased over the past several years and this year hit an all-time high—15 entries!
2019 Choo Choo Challenge Reveal at the November guild meeting.

What makes a popular Challenge?
The guidelines this year were similar to past Challenges, so what made the 2019 Batik Guild Challenge so enticing and popular? Was it:
  • the use of batik fabrics?
  • the color palette?
  • that fabrics were provided at the Challenge's commencement?
  • no size limitation?
  • a broad ranging project category?
... or maybe the planets aligned, the fabric goddesses were smiling, and our quilting muses were working overtime. Who knows! Take a look at the 15 creative entries from our guild's talented members and tell us what you think made this year's Challenge so popular.

2019 Challenge entries
Deb decided HST [half square triangles] would be perfect for the multi-sized collection of batiks she received. She paired the blue/green color palette with a white background for her table runner. The geometric zigzag design is striking.
Table runner by Deb.
Kim was inspired by an American Quilter magazine article about making and using fabric strips. She made a pillow with an Amish-inspired color scheme.
Strip technique pillow by Kim.
Joanna used a slice-and-weave technique for her quilt. The woven pieces were fused in a random layout on the background fabric.
Woven and fused quilt by Joanna.
She took the Challenge as an opportunity to practice free-motion quilting.
Detail of weaving and quilting.
Betty combined the Challenge fabrics she received with a bundle of Alaskan-themed batiks from her stash. This runner was hand quilted and a lovely remembrance of a trip to Alaska.
Left: Betty's runner. Right: detail of hand quilting.
Martha found a pattern for making a graduated bargello-style pieced quilt. She added fish appliques to complete her composition (and because she likes fish).
An underwater scene by Martha.
The curved piping strips provide a beautiful contrast and movement to the wedge shaped patchwork on Sherry's bag entry. Sherry included additional fabrics, a zipper closure and a label that also served as the inside pocket for this shoulder bag.
Zippered shoulder bag by Sherry.
Cheryel found a Cathedral Window pattern in a Block quilting magazine as her inspiration for this piece. As the often-used "white fabric" for traditional Cathedral Windows did not appeal to Cheryel, the colorful batiks were a welcome option. 
Batik Cathedral Window by Cheryel.
Check out the decorative machine stitching with colorful variegated thread that she added to the strippy window inserts.
Detail: Cheryel's decorative stitches.
"Batik Divided" is Delores's response to the guild Challenge. She took the classic Bull's Eye block and cut and rearranged the pieces to make this barn raising layout. This piece is raw edge appliqued and also has a dimensional flange inner border.
"Batik Divided" by Delores.
Garie took another path and made an apron with her Challenge batiks. The five star motifs were foundation paper pieced.
Paper-pieced apron by Garie. 3rd Place.
The apron includes a functional front pocket.
Apron pocket detail.
Linda found a black/white drawing of macaws on the internet for the basis for her wall piece. She used fusible applique to create the birds and overcame a few obstacles (a melted piece of netting, for one) during the process. The finished piece was stitch-mounted to a heavy-weight mat board for a professional presentation.
Fused applique quilt by Linda. 1st Place.
Some quilts seem to "light up" when you see them. This one did—literally. Veronica stitched soft circuits into her woven and quilted piece, called "A Light Touch." She added LEDs and electronic "soft switches" to the appliqued circle motifs.
"A Light Touch" by Veronica.
A "Do you push buttons?" sign prompted interaction between the viewer and this quilt. As the buttons were pushed, the stitched electrical circuit was completed and the LEDs lit up. See Veronica's blog post if you're curious about the creation process of this piece.
LEDs were activated with the push of a button.
Cristy ventured into free-motion thread play for her floral-inspired wall hanging. She started with black thread over the colored appliques and then incorporated colored and variegated threads.
A study in thread sketching by Cristy. 2nd place.
A curved piecing technique was used for the sashing pieces that frame each of the thread sketched drawings.
Thread sketching detail.
Another HST table runner was made by Vista. Colored strips in warm colors accent the cool blue and turquoise color palette.
Table runner by Vista.
Theresa added a creamy white fabric to complement the blue and green batiks (a favorite color scheme of hers) for her quilt. Theresa used nearly all of the provided fabrics and the quarter log cabin block makes quite a graphic statement. 
Log Cabin variation by Theresa.
The last quilt entry is this strippy quilt made by Ginny. Additional fabrics were incorporated into this lap-sized quilt. She strip pieced the blocks as well as the appliqued circles.
Fun with circles and stripes by Ginny
Decorative stitching with variegated threads add a colorful detail to the circle motifs.
Decorative stitching detail.

Congratulations to all the 2019 Challenge winners and participants! Thanks to Team 4 for organizing this year's event. It was a huge success!

Thursday, June 9, 2016

Show us your curves!

We're going from "circles" in May to "curves" in June! Up next at the June guild meeting, the program will be "Curves and Apple Cores."
Included in the program will be the history and overall view of the Apple Core quilt with patterns and hints about the construction of this curvy quilt block. There will also be a discussion on another curvy block, called the Centrifuge block, which can be found in Dianne Hire's book, "Vivacious Curvy Quilts."

Should anyone have an Apple Core quilt, please bring it along for Show and Tell.

Saturday, August 27, 2011

5 hours: 27 quilts

Our annual Choo Choo Quilters Cuddle Quilt workshop was a big success! With a little preparation, ample fuel (fruit, bakery, juice and coffee), and two cans of basting spray, a small group of quilters made outstanding headway on the guild's Cuddle Quilt community service project. Here is the recipe for success:
Quilt tops ready for basting (left), backing fabrics (center),
and pre-cut quilt squares (right).
Pre-assembled quilt kits.
Sally's Choice blocks with quilt layouts.
Ample fuel for busy, productive quilters.
Mix all these ingredients with a good workspace and some dedicated quilters and the result is 27 quilts that are nearly all basted and ready for quilting.

Butterfly blocks (left), string piecing (center), I-Spy quilt (right).
Thank you to Sherry, our excellent workshop coordinator, who thought of everything, including: signage, irons and ironing boards, rulers, cutters and mats, masking tape, relaxing the batting ahead of time and music to quilt by.
We had a spray basting marathon and got 7-8 cuddle quilts from each king batt.
Sally's Choice blocks and insert strips (left), insert strips and curvy 4-patch blocks (right).

Thursday, July 21, 2011

Piece Curves, Inset Strips, or Just Sew Crazy

Curved piecing example
Inserted strips example



We have all sewn straight lines thousands of times, but how about mixing it up and sewing some curves? The August meeting of the Choo Choo Quilt Guild focused on innovative piecing techniques, which produce beautiful and unusual looking quilts. During the meeting, our experts showed us how to sew a "Gentle Curve" four patch, how to easily insert strips for a funky look, and maybe simplest of all, how to cut 9 layers of fabric at once and sew a Crazy Nine Patch. The Crazy Nine Patch was the basis of a Pointless Wonder program several years ago.




Crazy Nine Patch



All of these techniques are fairly quick, and can be combined with other techniques. For example, using the strip insert method with assembled curved 4 patches creates a really complex looking quilt. Also, using a monochromatic crazy nine patch quilt as a background canvas for applique, or even adding some inserted strips of contrasting colors can really produce a unique, complicated-looking result. There are so many possible combinations using these methods.








There were alot of beautiful things at this month's "Show and Tell". Several people showed off purses and tote bags. There was a beautiful t-shirt quilt, one from all oriental inspired fabrics, and one that was all made from curved pieces. And we found out we have at least one published author in our group (no doubt more to come). Veronica showed us the multi-page article showcasing two garments she designed using Shirbori dying techniques, one with a free-form crocheted collar made from hand spun and hand dyed wool. These are published in the summer issue of Belle Armoire magazine.


A t-shirt quilt with great sentimental value
All oriental fabrics coordinate well with black
home made purse
Curved piecing example
Published author and clothing designer
bag with selvage edges